Category Archives: News

“The Thing” prequel pushed back

The prequel for John Carpenter’s The Thing has been removed from its April 2011 premiere, with a new date set for October 14, 2011. Continue reading

“Moon” director has new film

Duncan Jones directed the much-lauded sci-fi tale Moon and he already has a follow-up project starring Jake Gyllenhaal, Source Code.

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Full trailer for Danny Boyle’s “127 Hours”

There has already been a teaser trailer for 127 Hours, so this is the first full length trailer.  I would like to persuade you though: if you’re a die-hard Boyle fan, just wait to see the film.  If you’re genuinely curious about the film, go right ahead.  I just feel that trailers give too much and there’s something to be said for going into a movie mostly blind.  It’ll feel fresher if you haven’t already seen it on a tiny laptop screen a month ago.

Vampire Rumble: Let the Right One In vs Let Me In

As soon as a re-make of Let the Right One In was announced, film fans around the world let out a collective internet groan.  It’s not as if this sentiment is without merit considering the crop of 80’s horror classics that are in the works of being re-made (Fright Night, The Monster Squad), as well as the way foreign films are treated by the Hollywood re-make machine (Eddie Izzard’s commentary on re-makes seem apt [begins at the 1:03 mark].  So just how did Let Me In, the U.S. re-make of Let the Right One In, compare to the original?

Note: to avoid redundancies, let me clarify that Oskar and Eli are the boy and girl from Let the Right One In and Owen and Abby are the boy and girl from Let Me In.  Also, this post contains major spoilers for both films.

My wife pointed out that there is a difference between re-making a story and re-telling a story, as we’re always re-telling similar tales with different window dressings.  Michael Haneke’s Funny Games is a clear example of a re-make: it was first made in 1997  (Austria) and re-made, shot-for-shot, by Haneke in 2007 (U.S.).  Alternatively, something like John Carpenter’s The Thing is a re-telling of The Thing From Another World, which itself was based on the short story Who Goes There? by John W. Campbell.  Let Me In is an example of the latter re-telling, not a mere re-make.  Continue reading

Fall Movie Preview: October

The Social Network: October 1

This is already well known as “the facebook movie;” having David Fincher (Fight Club) on board as director makes an inane premise promising.

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Reality, Celebrity Culture, and Inner Light in “I’m Still Here”

If you are here to read a strict review of the “Joaquin Phoenix documentary” you’ll have to go somewhere else.  The film is operating on levels reminiscent of  The Brothers Bloom because you have no idea how to differentiate between reality and performance, and are left bereft of any concrete narrative to critique.

However, if you’re here searching for thoughts about the film, step right into my office.

My initial impression was that Phoenix was proclaiming his self-importance with the title I’m Still Here, a defiant cry to some crowd that, “You can’t hold me!  I’m still here (bitches)!”  This was supplanted by an interpretation more along lines of, “Uh…why are you talking about me like that?  I’m still here.”  At the film’s heart are the ways Phoenix sets himself up for the type of criticism he receives, and how much is fueled by celebrity culture.

First and foremost, Phoenix appears to have serious issues.  I mean this not at all in a judgmental fashion, just as an interpretation of what appears on-screen.  Phoenix performs a giddy jig at the prospect of a line of coke and two prostitutes; the way he speaks suggests one too many shots of rum; and the way he reacts to other people, in word and deed, does not suggest a sound mind.  Silence follows him at the film’s end, but the rest of the time we see him as a crazed hobo crying, yelling, and consuming various substances. Continue reading

More faux-trailers from Grindhouse receiving full length treatment?

Over at Rope of Silicon, they’ve posted a re-vamped version of the Grindhouse fake trailer, Hobo with a Shotgun.  If you didn’t see it, you’re probably in the U.S. as it was a trailer screened mostly in Canada.  The original trailer fit the Grindhouse experience with a ridiculous title that matched its content:

Just like Machete, the trailer has birthed a full length film.  The trailer for the feature has been released – featuring Rutger Hauer as the hobo with a shotgun.

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Fall(ish) Movie Preview: September

The summer film season is coming to a close, but there is plenty to look forward to. Here is your complete mega movie fall preview.

:author’s note:

I believe that trailers reveal so much information that it can spoil or at least impede the experience of watching a film for the first time. I would recommend avoiding trailers if you know you’re going to see a film. If you’re unsure of a film, however, be my guest.

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3D Already Dying?

Slate has published a great piece on the decline of 3D, which outlines how the format has gradually been losing its profitability since it re-emerged with Polar Express in 2004.  As thousands of new 3D screens opened up, the profits from 3D screenings have been tapering off, which Daniel Engber surmises, “There’s either too much supply or not enough demand.”

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Inspiration for Grindhouse Trailer, “Don’t”

For those fortunate souls who have enjoyed the cinematic experience of Grindhouse (the theatrical version is not available on DVD), you’ll remember the faux-trailer, Don’t.

http://www.youtube.com/watch?v=6803Gu8tpuw Continue reading