It seems unreal that one of the godfathers of horror George A. Romero died last year. Since 1968, his presence at comic-cons or on DVD making-of features was almost taken for granted. I’ve made several short films since 2006, trying so hard to get better with each that I almost forgot how much Romero influenced my first efforts: my friend Hank as a chained up zombie coated in chocolate syrup like they used in Night of the Living Dead; gray-ish blue zombie makeup in my short Dawn of the Living, a nod to Dawn of the Dead‘s (1978) unique zombie design. It was a safe space to play as I grew into filmmaking by exploring different narratives in a world Romero created. But his world was more than just zombies – it was about art, politics, being a generous collaborator, and the way we create in a capitalist world.
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Fire, Flashbangs, Filmmaking: Inauguration 2017
Fellow filmmaker and friend Georg Koszulinski invited me to DC to help him shoot a documentary focusing on the inauguration of Donald Trump. There were massive protests scheduled on inauguration day and the day following; they would include a coalition of the willing that would make George W. Bush jealous. We ran amok with DSLR cameras trying to capture the feeling of the space and the feeling of the people (protesters and Trump supporters alike). We wanted to find a way to make sense of the madness during this shocking plot twist in American history, as a reality TV star (which already sounds like I’m making this shit up) was sworn in as President of the United States of America. Continue reading →
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Posted on February 6, 2017 by The Filmsmith in Articles, Filmmaking
Tagged Activism, DC, Documentary, Filmmaking, Inauguration, J20, protest, Trump, Womens March