The Social Network: October 1
This is already well known as “the facebook movie;” having David Fincher (Fight Club) on board as director makes an inane premise promising.
When you start watching films for a living, “You’ve Lost That Lovin’ Feelin'” becomes the haunting muzak filling the background of your consciousness. Films quickly pile up in the mediocre category, with few hitting genius, or even atrocious levels. When Monsters finished, however, I was covered with goose bumps and wanted nothing more than to sit quietly in the dark to mull it over. It is a film so powerful, fascinating and personal that it is a celluloid definition of why we go to the cinema.
We are a rather fortunate bunch. Our grandparents only had two chances to see a film: either when it came out in theatres or if it popped up on television, which is what made the annual television screenings of The Wizard of Oz such a big deal. It was not until VHS revolutionized the industry and films could be watched whenever we desired. Combine this with the communication powers of the internet and a film that never got past screenings in New York can suddenly make a ton of cash and notoriety.
With such fortunes, I find it our job as film enthusiasts to promote our favorite smaller films as a counter-weight to the advertising juggernauts that rumble across our cultural plains. Continue reading