I’ve been thinking over the summer films that have hit cinemas so far and have only been disappointed with the rundown (except for Star Trek, that wasn’t too bad):
X-Men Origins: Wolverine
crap, but expected to be
Though a non-mega budget/hyped film, this one suffered due to a lack of supporting story elements that would actually make you care about the character and the type of technical issues you’d expect from a student film, not a 100 million dollar feature starring Johnny Depp.
So I got to thinking about the major issues with the Summer Blockbuster Genre that has emerged, and how The Dark Knight managed to be one without being shit. Maybe Hollywood will keep these things in mind for next summer. Continue reading
Teaser poster for Pontypool.
Since George A. Romero’s Night of the Living Dead, all of the great zombie films have provided us an undead lens through which a facet of human civilization is focused upon: Night of the Living Dead and Dawn of the Dead tackled race and conspicuous consumption, respectively; Danny Boyle used our fear of disease to look into the heart of man in 28 Days Later, only to find the “Rage Virus” within all of us. Pontypool continues in this vein as the best zombie* film since Boyle’s resurrection of the genre, utilizing the fear of the unknown to look at the power of language. Continue reading
Posted in Edinburgh International Film Festival, Filmsmith Faves, Reviews
Tagged 28 Days Later, Bruce McDonald, Cinema, Danny Boyle, Dawn of the Living Dead, Disease, Film, George A. Romero, Horror, Language, Movies, Night of the Living Dead, Pontypool, Pontypool Changes Everything, Romero, Stephen McHattie, The Tracey Fragments, Tony Burgess, Virus, Zombies