It’s December, which means we’re deep into award season–where the standard offerings might include family dramas you’ve seen before, but with a slight new flavor (Lady Bird) or the period drama your grandparents will rave about (Darkest Hour). None of these films will do anything inventive with the form because they’re like pizza – not fine dining, but you know what to expect regardless of where it comes from.
The Florida Project is the kid that steals that proverbial pizza, throws it on the ground, and asks if you want to go spit on cars.
After gaining a following and critical acclaim for his movie Moon, many were eager to see what material Duncan Jones would take on next. And then Source Code, a spec script written by Ben Ripley, fell into his hands and the rest is history. The film is currently having a run at the SXSW Film Festival and will be released nationally April 4th. Last Tuesday the first five minutes of the film were put online so the world could get a little taste of the things to come. However, the footage doesn’t deliver and leaves you wondering if Jones’ film is going to bomb at the box office. And here is why it just might…
The world got its first taste of J.J. Abrams newest film, Super 8, during the Super Bowl. And now, the full trailer has arrived. If your interest was only slightly peaked for the teaser trailer, then the latest trailer is going to blow you away. And the best part? Unlike most trailers, it not only seems to avoid giving everything away but generates incredible tension. Prepare yourself for Super 8…
For almost a decade now, we have been treated to the best and most artistic television that has ever been produced. Earlier this year, I wrote about the great Red Riding Trilogy and, if anything, Carlos is even better. Following the meteoric rise and tragic fall of the most dangerous man in the international community, we see more than just an interesting historical figure. We see a man beset on all sides by self-doubt, self-loathing, anxiety and fear, a man easy to condemn and hard to sympathize with. But we see a man in his entirety, and we come to at least understand him, even if it is hard to forgive him. Continue reading
Anyone who has seen a film by Darren Aronofsky is not likely to describe it as a completely pleasurable experience. My first experience with Aronofsky’s work was seeing Requiem for a Dream on the big screen. It was good – but I avoided it for the next two years because of its intensity.
For Aronofsky is it not enough to show us the hardships of a protagonist. He has to actually make us feel the experiences of our protagonists. In Black Swan Aronofsky continues to force us to suffer with our onscreen hero – and this time around you’ll be hard pressed to figure out why you should care. Continue reading
Director Terrance Malick (The Thin Red Line, The New World) has a new film being released in 2011, The Tree of Life. Previously only attached to screenings of Black Swan, the trailer for Tree of Life was released online yesterday. Continue reading
Just look at this poster for The Tourist (right). Angelina Jolie and Johnny Depp’s faces take up 2/3 of the space. You see those faces and you’re supposed to start sweating money for the studios – even when it’s not worth it. Continue reading
After initially earning an NC-17 rating from the MPAA, the romantic drama Blue Valentine has won its appeal for an R rating.
The MPAA spokesperson stated:
“the rating was lowered after the group’s appeals board viewed the film and heard arguments from Harvey Weinstein, whose Weinstein Co. is releasing it.”
An NC-17 rating is regarded as box office poison with many cinemas refusing to play such films. Director Derek Cianfrance stated he had support from The Weinstein Company to release the film with the NC-17 designation if need be. Fortunately for him and film fans, it did not come to that. Blue Valentine hits theaters December 31.
Back in 2002, Robin Williams lobbed three dark performance hand grenades, the most powerful of which was One Hour Photo. What was so compelling about Photo was not only Williams’ ability to channel a character who was simultaneously repulsive, pitiable, and menacing (Anthony Perkins anyone?), but director Mark Romanek’s stark photography. His shots still remain burned into my cerebral celluloid and his work with Never Let Me Go reveals the same beauty, but doesn’t quite carry the same human vitality. Continue reading
Posted in Reviews
Tagged Andrew Garfield, Carey Mulligan, Drama, Film, Keira Knightley, Mark Romanek, Movie, Never Let me Go, One Hour Photo, Period Piece, Sci-Fi
Slate has published a great piece on the decline of 3D, which outlines how the format has gradually been losing its profitability since it re-emerged with Polar Express in 2004. As thousands of new 3D screens opened up, the profits from 3D screenings have been tapering off, which Daniel Engber surmises, “There’s either too much supply or not enough demand.”