If you are here to read a strict review of the “Joaquin Phoenix documentary” you’ll have to go somewhere else. The film is operating on levels reminiscent of The Brothers Bloom because you have no idea how to differentiate between reality and performance, and are left bereft of any concrete narrative to critique.
However, if you’re here searching for thoughts about the film, step right into my office.
My initial impression was that Phoenix was proclaiming his self-importance with the title I’m Still Here, a defiant cry to some crowd that, “You can’t hold me! I’m still here (bitches)!” This was supplanted by an interpretation more along lines of, “Uh…why are you talking about me like that? I’m still here.” At the film’s heart are the ways Phoenix sets himself up for the type of criticism he receives, and how much is fueled by celebrity culture.
First and foremost, Phoenix appears to have serious issues. I mean this not at all in a judgmental fashion, just as an interpretation of what appears on-screen. Phoenix performs a giddy jig at the prospect of a line of coke and two prostitutes; the way he speaks suggests one too many shots of rum; and the way he reacts to other people, in word and deed, does not suggest a sound mind. Silence follows him at the film’s end, but the rest of the time we see him as a crazed hobo crying, yelling, and consuming various substances. Continue reading
Posted in Articles, Filmsmith Faves, News, Reviews
Tagged acting, Ben Creech, Casey Affleck, David Letterman, Documentary, Drugs, Edward James Olmos, fake, hoax, illdoctrine, Jay Smooth, joaquin phoenix, mental health, Puff Daddy, rap, Sean Combs, South Park, The Lottery, The Prestige, Venice
Promotion for The Town touts it as “from the acclaimed director of Gone Baby Gone” which appears to be a deliberate dodge to avoid naming the film’s director – Ben Affleck. The concern being that if people see that Ben Affleck directed the picture – a guy possibly most famous for his previous relationship with Jennifer Lopez – it won’t be taken seriously. Given that Affleck has delivered the goods with two films now, maybe his directorial work can come out of the fine print.
A group of robbers from the Boston neighborhood of Charlestown knock over a bank, taking bank manager Claire Keesey (Rebecca Hall) hostage. Concerned that Claire might have seen something, trigger happy James (Jeremy Renner) wants Doug (Ben Affleck) to follow her movements to ensure they’re in the clear. When Doug starts seeing Claire, tensions between Doug and his crew flare while FBI agent Frawley (Jon Hamm) steadily builds the pressure.
As a whole this is a good heist film. It kicks off with tornadic fury and keeps the film moving with other robberies. Affleck stands out as the nice thief to Renner’s twitchy James who is a territorial pug you do not want to try and pet. Continue reading