Tag Archives: Documentary

This American Life episode The Fighter’s equivalent

This week, David O. Russell’s The Fighter was released.  Mark Wahlberg is an underdog boxer who is frequently referred to as a “stepping stone,” a low-level guy pitted against a better fighter.  The “stepping stone” makes some money and his competitor builds up his rank in the boxing world.  This American Life did an episode on just these types of boxers, called “opponents.”

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“Waiting for ‘Superman'” bloated but powerful

If you were to ask a teacher which film they hate the most, Dangerous Minds might be at the top of that list.  The film’s oversimplification of reaching students makes any parent think they know what it’s like to be at the head of the classroom.  By way of contrast, the documentary Waiting for ‘Superman’ could become a teacher’s favorite film–though it might depend on their own standing as a good or bad teacher–for the way the doc dives headfirst into the systemic issues of public education.

The film’s premise is that several children are waiting for their number to be called in a lottery, which will mean they get accepted into a “good” school.  The trailer seems overly dramatic (more like a game show than anything in real life), but it turns out to be true.  The problem is that if there are more applicants to charter schools than positions available, a public lottery must be held: names drawn at random receive their acceptance into one of these charter institutions (schools which receive public funding, but aren’t beholden to district rule).  As the film lays out the failings of public schools and the costly nature of private education, charter schools come out looking like the DMZ of this educational battlefield. Continue reading

Reality, Celebrity Culture, and Inner Light in “I’m Still Here”

If you are here to read a strict review of the “Joaquin Phoenix documentary” you’ll have to go somewhere else.  The film is operating on levels reminiscent of  The Brothers Bloom because you have no idea how to differentiate between reality and performance, and are left bereft of any concrete narrative to critique.

However, if you’re here searching for thoughts about the film, step right into my office.

My initial impression was that Phoenix was proclaiming his self-importance with the title I’m Still Here, a defiant cry to some crowd that, “You can’t hold me!  I’m still here (bitches)!”  This was supplanted by an interpretation more along lines of, “Uh…why are you talking about me like that?  I’m still here.”  At the film’s heart are the ways Phoenix sets himself up for the type of criticism he receives, and how much is fueled by celebrity culture.

First and foremost, Phoenix appears to have serious issues.  I mean this not at all in a judgmental fashion, just as an interpretation of what appears on-screen.  Phoenix performs a giddy jig at the prospect of a line of coke and two prostitutes; the way he speaks suggests one too many shots of rum; and the way he reacts to other people, in word and deed, does not suggest a sound mind.  Silence follows him at the film’s end, but the rest of the time we see him as a crazed hobo crying, yelling, and consuming various substances. Continue reading

Fall(ish) Movie Preview: September

The summer film season is coming to a close, but there is plenty to look forward to. Here is your complete mega movie fall preview.

:author’s note:

I believe that trailers reveal so much information that it can spoil or at least impede the experience of watching a film for the first time. I would recommend avoiding trailers if you know you’re going to see a film. If you’re unsure of a film, however, be my guest.

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“The Last Exorcism” delivers August terrors

There are plenty of horror directors I would call outright hacks: an over-reliance on atmospheric music, silly jump scares, and tracing the footsteps of horror film giants are some common hack tropes.  I therefore appreciate the fact that The Last Exorcism shies away from these amateur tactics and delivers a weaving, apprehensive paranormal package. Continue reading

“Winter’s Bone” Director Q & A (no spoilers)

I know the video quality isn’t great (my camera can’t handle low light situations), but I figure it might be worth the audio to interested parties.

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“Restrepo” digs into Afghanistan combat

From The War Tapes to Generation Kill, the moving image has tried to convey the current U.S. wars in Afghanistan and Iraq.  The difference between those fiction and non-fiction accounts is that they didn’t spend fifteen months shooting their productions in hostile territory. Continue reading

Avoid “Putty Hill”

The tears of pretty people were the film's highlight.

This was just a bad, bad, bad movie. Continue reading

EIFF Daily Roundup (part 5)

* I visited a hilarious HIGH School

* Winter’s Bone has a chilly, but warm sentiment

* Wasn’t Lucky enough to win the jackpot

other news

The director of Winter’s Bone spoke briefly about the film after the screening.  The lead actress, Jennifer Lawrence, is a Kentucky native and it made shooting in the Ozarks an accessible transition from one mountainous region to another.  I’ll have video up in a few days.

reviews to come

Au Revoir Taipei, an evening with Sir Patrick Stewart

Sundance favorite”Winter’s Bone” Cuts Deep

There is an oft-lamented dearth of strong female characters in cinema.  Lt. Ripley and Sarah Connor are the characters that receive the most citation, but I’ll be damned if we can’t add Ree Dolly to the roster – this is not a girl to be trifled with. Continue reading