Duncan Jones directed the much-lauded sci-fi tale Moon and he already has a follow-up project starring Jake Gyllenhaal, Source Code.
http://www.youtube.com/watch?v=aKtr9ZAooc8&feature=player_embedded
Duncan Jones directed the much-lauded sci-fi tale Moon and he already has a follow-up project starring Jake Gyllenhaal, Source Code.
http://www.youtube.com/watch?v=aKtr9ZAooc8&feature=player_embedded
Posted in News
Tagged 12 Monkeys, Alfonso Cuaron, Children of Men, Duncan Jones, Gareth Edwards, Gravity, Groundhog Day, Jake Gyllenhaal, Low Budget, Monsters, Moon, Neil Blomkamp, Quantum Leap, Sci-Fi, Source Code
Okay, so there are two types of bad movies: the first are jumbled, terrible-dialogue-ridden box office monsters (Wolverine). And then there are films who aren’t even aware of the audience watching them; films who do not realize that people in the crowd are sleeping, making their grocery lists, and passing frustrated comments to their buddies nearby (all in one sitting). Skyline is this latter type of bad. Continue reading
I suppose one of the defining features of a film snob is abhorrence for television. All those commercial breaks, laugh tracks, overwrought dramatics. But in both film and television there’s a lot of crap – you just have to know where to find the good stuff. So as a film fan who does not have cable or those digital boxes to even watch basic channels, here are the shows (past and present) that make me wish I did. Continue reading
Posted in Filmsmith Faves, Lists
Tagged AMC, Battlestar Galactica, Breaking Bad, Comedy, Community, Drama, Sci-Fi, Sealab 2021, Sitcom, TV
Back in 2002, Robin Williams lobbed three dark performance hand grenades, the most powerful of which was One Hour Photo. What was so compelling about Photo was not only Williams’ ability to channel a character who was simultaneously repulsive, pitiable, and menacing (Anthony Perkins anyone?), but director Mark Romanek’s stark photography. His shots still remain burned into my cerebral celluloid and his work with Never Let Me Go reveals the same beauty, but doesn’t quite carry the same human vitality. Continue reading
Posted in Reviews
Tagged Andrew Garfield, Carey Mulligan, Drama, Film, Keira Knightley, Mark Romanek, Movie, Never Let me Go, One Hour Photo, Period Piece, Sci-Fi
This is already well known as “the facebook movie;” having David Fincher (Fight Club) on board as director makes an inane premise promising.
Posted in News
Tagged /Filmcast, Aaron Sorkin, Anna Boden, Ben Affleck, Chris Cooper, Clint Eastwood, Conviction, David Fincher, Edward Norton, Facebook, Gareth Edwards, Half Nelson, Hereafter, Hillary Swank, It's Kind of a Funny Story, Kevin Costner, Matt Damon, Monsters, Robert De Niro, Ryan Fleck, Sam Rockwell, Sci-Fi, Stone, The Company Men, The Social network, Tommy Lee Jones, Zach Galifianakis
Here is the second part of my rundown of films I watched during July and August:
Posted in Reviews
Tagged Apocalypto, Billy Mitchell, Brad Bird, Bruce Willis, Button Button, Film, Gus Van Sant, Kids, King of Kong: A, Larry Clark, Maya, Mel Gibson, Movies, Paranoid Park, Return of the Living Dead Part II, Richard Kelly, Richard Matheson, Sci-Fi, Southland Tales, Steve Wiebe, Summer, Surrogates, The Box, The Incredibles, The Iron Giant, The Yes Men Fix the World
The main maxim of big budget Hollywood filmmaking is “Make it Safe.” Don’t stray from basic storytelling tropes and structures, and don’t be too smart in case you go over the audience’s head. In the end, you want to ensure that you will get a return on your investment. Thus, the prospect of losing hundreds of millions of dollars makes a lot of mainstream films ride along in the mediocrity lane of the film freeway. Continue reading
The original Predator (1987) is one of those films that is a defining moment for masculinity. I saw Predator when I was 8 years old and the mixture of mass muscled men, “bad” words, bullets, and bravado introduced me to what it meant to be male. The film is not a traditional work of art, but like director John McTiernan’s Die Hard, Predator is a quintessential action/sci-fi film. Continue reading
When you start watching films for a living, “You’ve Lost That Lovin’ Feelin'” becomes the haunting muzak filling the background of your consciousness. Films quickly pile up in the mediocre category, with few hitting genius, or even atrocious levels. When Monsters finished, however, I was covered with goose bumps and wanted nothing more than to sit quietly in the dark to mull it over. It is a film so powerful, fascinating and personal that it is a celluloid definition of why we go to the cinema.
Posted in Edinburgh International Film Festival, Reviews
Tagged Action, Aliens, CGI, Cinema, Cloverfield, District 9, Drama, drug violence, Drug War, Edinburgh International Film Festival, EIFF, Film, Firestarter, Gareth Edwards, Half Nelson, Horror, Mexico, Mia Wallace, Military, Monsters, Movie, NASA, Night of the Living Dead, photographer, Pulp Fiction, Romance, Sci-Fi, Spoiler Free, Stephen King, U.S., United States, Vertigo Films, Y Tu Mama Tambien
“Monsters” post-screening Q & A (no spoilers)
Director Gareth Edwards is to the right, actors Whitney Able and Skoot McNairy to the left.
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Posted in Edinburgh International Film Festival, Filmmaking, Interviews, News
Tagged Drama, Filmmaking, Gareth Edwards, Horror, Monsters, Sci-Fi, scriptwriting, Skoot McNairy, Vertigo Films, Whitney Able