Tag Archives: Night of the Living Dead

“No Time for Sentiment” in Night of the Living Dead

In Tom Ford’s 2009 film A Single Man, protagonist George Falconer is briefly accosted by a colleague who insists that he prepare for imminent nuclear attack. They live in the mid-1960’s and the threat of mutually assured destruction hangs over them constantly. So much so that this colleague has constructed a bunker as Nemo constructed the Nautilus–piecewise, so that none of the contractors would know all of its specifics. His paranoid attempt to win George over includes the line, “There will be no time for sentiment when the Russians fire a missile at us.” George responds, “If it’s going to be a world with no time for sentiment, Grant, it’s not a world that I want to live in.” It is a world with no time for sentiment that George A. Romero is discussing in his landmark horror film Night of the Living Dead. Continue reading

“Monsters” leaves audiences in shock and awe

When you start watching films for a living, “You’ve Lost That Lovin’ Feelin'” becomes the haunting muzak filling the background of your consciousness.  Films quickly pile up in the mediocre category, with few hitting genius, or even atrocious levels.  When Monsters finished, however, I was covered with goose bumps and wanted nothing more than to sit quietly in the dark to mull it over. It is a film so powerful, fascinating and personal that it is a celluloid definition of why we go to the cinema.

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Day of the Dead: Lebowski and Caligari References?

I saw Day of the Dead (1985) for the first time a long time ago and tonight was the first time I’ve watched it since.

In the first 30 minutes, I picked up on three references: Continue reading

Pontypool Review

Teaser poster for <em>Pontypool</em>.

Teaser poster for Pontypool.

Since George A. Romero’s Night of the Living Dead, all of the great zombie films have provided us an undead lens through which a facet of human civilization is focused upon: Night of the Living Dead and Dawn of the Dead tackled race and conspicuous consumption, respectively; Danny Boyle used our fear of disease to look into the heart of man in 28 Days Later, only to find the “Rage Virus” within all of us. Pontypool continues in this vein as the best zombie* film since Boyle’s resurrection of the genre, utilizing the fear of the unknown to look at the power of language. Continue reading