Tag Archives: Horror

Rare Exports a Christmas mess

The Finnish film documenting the true, ghastly nature of Santa Clause looked like it could be exploitation horror fun, but instead will leave you with question marks dangling over your head.  The film makes huge leaps in narrative logic, in one case young Pietari deducing from explosions on a mountain, “Santa’s under there!”

What?!

Nothing implies such a statement and Pietari’s proclamation stands in for the film’s inability to expose such a key plot detail in any other fashion.  Which is emblematic for the rest of the film, including the moment Pietari, hitherto a weakling, suddenly becomes Rambo as he organizes helicopter pickups and heroic gestures.  Everything is inexplicable in Finland evidently.

Some of the issues could stem from a terrible subtitle translation, but most of the awful simply stems from bad storytelling.  Cool idea, terrible execution.  Don’t even bother renting.

-Remington Smith

Two Truly Terrifying Tales

In Danse Macabre, Stephen King says there are three types of horror: terror, horror, and revulsion/disgust.  The first is psychological, the second terrifying based on sight, and the third a horror stemming from a reaction to grotesqueries.  With most horror films playing into straight horror (“Look at that freaky monster!”), I thought I’d suggest some stories that fit the “terror”category–things that keep your brain churning as you try to sleep…. Continue reading

Vampire Rumble: Let the Right One In vs Let Me In

As soon as a re-make of Let the Right One In was announced, film fans around the world let out a collective internet groan.  It’s not as if this sentiment is without merit considering the crop of 80’s horror classics that are in the works of being re-made (Fright Night, The Monster Squad), as well as the way foreign films are treated by the Hollywood re-make machine (Eddie Izzard’s commentary on re-makes seem apt [begins at the 1:03 mark].  So just how did Let Me In, the U.S. re-make of Let the Right One In, compare to the original?

Note: to avoid redundancies, let me clarify that Oskar and Eli are the boy and girl from Let the Right One In and Owen and Abby are the boy and girl from Let Me In.  Also, this post contains major spoilers for both films.

My wife pointed out that there is a difference between re-making a story and re-telling a story, as we’re always re-telling similar tales with different window dressings.  Michael Haneke’s Funny Games is a clear example of a re-make: it was first made in 1997  (Austria) and re-made, shot-for-shot, by Haneke in 2007 (U.S.).  Alternatively, something like John Carpenter’s The Thing is a re-telling of The Thing From Another World, which itself was based on the short story Who Goes There? by John W. Campbell.  Let Me In is an example of the latter re-telling, not a mere re-make.  Continue reading

Let Me In: “A dirge for American goodness.”

Let the Right One In was the recent horror phenomenon usually known as “the Swedish vampire flick.”  A combination of excellent actors, in-depth character development, and mature execution made it a top notch vampire film that blew other blood-sucker tales out of the water.  Hence, when Hollywood announced that a re-make was in the works, the original film’s fan base made their consternation known.    Even I went in with the most cynical of sentiments (“Did they just make it into an English language film for those too illiterate to struggle with subtitles?”).  Surprisingly, I left the cinema sunk deep in stunned reflection. Continue reading

“Devil” not that bad

The trailers for Devil proclaim “From the mind of M. Night Shyamalan” which seems to be a purposeful attempt to disavow Shyamalan’s involvement in the directing, producing, and writing side of things after previous bombs (Lady in the Water, The Happening).  The result: a company called the Night Chronicles, which produces films based on ideas from M. Night that are further developed by other individuals.  Devil, the first of the Night Chronicles, overall manages to stay afloat (though at times some bailing is required).

In the film five strangers hop on an elevator together and once it locks up between floors, tensions flare.  Detective Bowden and the building’s security watch the group devolve into bickering children through a security camera, only able to speak to them through the one way com system.

I say “devolve,” but there isn’t a transition for these people – as soon as they’re aboard the elevator they quickly reveal themselves to be stupid assholes.  Continue reading

More faux-trailers from Grindhouse receiving full length treatment?

Over at Rope of Silicon, they’ve posted a re-vamped version of the Grindhouse fake trailer, Hobo with a Shotgun.  If you didn’t see it, you’re probably in the U.S. as it was a trailer screened mostly in Canada.  The original trailer fit the Grindhouse experience with a ridiculous title that matched its content:

Just like Machete, the trailer has birthed a full length film.  The trailer for the feature has been released – featuring Rutger Hauer as the hobo with a shotgun.

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Fall(ish) Movie Preview: September

The summer film season is coming to a close, but there is plenty to look forward to. Here is your complete mega movie fall preview.

:author’s note:

I believe that trailers reveal so much information that it can spoil or at least impede the experience of watching a film for the first time. I would recommend avoiding trailers if you know you’re going to see a film. If you’re unsure of a film, however, be my guest.

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“The Last Exorcism” delivers August terrors

There are plenty of horror directors I would call outright hacks: an over-reliance on atmospheric music, silly jump scares, and tracing the footsteps of horror film giants are some common hack tropes.  I therefore appreciate the fact that The Last Exorcism shies away from these amateur tactics and delivers a weaving, apprehensive paranormal package. Continue reading

The Walking Dead Trailer Released

After many low quality youtube recordings from Comic Con, AMC has released a trailer for its latest tv series, The Walking Dead:

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Darren Aronofsky’s Black Swan Trailer

imdb.com has the release date set for December 1, 2010.

And here I thought the film might be a bit boring from the synopsis and the trailer is more f*cked up than I could have imagined.  Guess Aronofsky won’t break into the comedy genre anytime soon considering this path of trauma that is his filmography.*

*Comments aside, love his work.