Category Archives: Reviews

Best Horror and Sci-Fi of 2010

In my family’s house, horror films were  a staple.  Fright Night, The Monster Squad, and the genre-mashing Big Trouble in Little China were family staples, fascinating as much for their special effects as for the worlds they explored. As Ben Creech once commented, horror and sci-fi are cousins to the fantasy genre, and I would have to concur.  These genres, traditionally looked down upon by critics and award shows, create fantastic worlds that aren’t always welcoming, but are nonetheless amazing feats of construction.

The following are some horror and sci-fi films of 2010 that are remarkable for the ways in which they play with the trappings of their genre.  In other words, they do something that’s refreshing.  Gather a posse and chow down on some cool cinema.  (Click on the title to read my full review) Continue reading

2010 Staff Picks

Separate from our post on the Best of 2010, the Staff Picks below represent the films on our Top Ten lists, but were not on anyone else’s list here at The Filmsmith.  Continue reading

DVD Tuesday: The Tillman Story resonates

2011 will mark the 10-year anniversary of the attack on the Twin Towers, a moment in our nation’s history that spurned a fervent cry of patriotism that could be heard the world round. One such patriot was Pat Tillman, a safety for the Arizona Cardinals, who turned down a $3.6 million contract to enlist in the Army. When news came back that he had been shot in combat, a heroic story was told of how he had saved several lives in his refusal to leave men behind, and after their rescue was shot by a stray bullet. This is what the military told his family and the media. This is not what happened.  Continue reading

The Filmsmith’s Best of 2010

One first reaction to a “Best of” list toward the end of January 2011 might be confusion:  “Why didn’t you write this up at the end of the year like everyone else?”  The major reason is that quite a few notable films of the year didn’t become available until recently.  I had to take a trip to Chicago to see several of these titles, some of which my colleagues still have yet to see.

Now that The Filmsmith is a publication with voices beyond my own, we decided to each draw up our Top Tens of 2010 and wherever there was crossover, lump those together.  Therefore, this is The Filmsmith’s Best of 2010 (individual staff lists will be released tomorrow). Continue reading

The Mechanic repairs action genre

The iconic bald white guy John McClane is no longer allowed to say his catch phrase on screen, or shoot people who actually ooze blood.  So it’s good to see another bald white guy take up the action film banner in all its messiness. Continue reading

Red Riding Trilogy – A panorama of the human condition

“Evil Lives Here.” So states the tagline of the made-for-TV miniseries, Red Riding. In it we follow the plethora of lives in a community rebounding from loss and pain as a serial killer stalks their streets. We see a journalist and two cops as they try to make sense of the destruction that surrounds them. But we also get a glimpse into the lives of the victims of such tragedy. Another girl has gone missing, and everyone is rushing around trying to find her before it is too late. Evil may live in the county of Yorkshire, but so does hope, and that makes all the difference.
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DVD Tuesday: Nowhere Boy goes nowhere fast

One would think a film about John Lennon’s teenage years, the tumultuous time when he discovered Elvis Presley and the rock ‘n’ roll rhythms that would govern the rest of his life, would make for a great coming of age story. One would hope that the immense talent possessed by the Fab Four would show up in this film, especially as one of its taglines is “The Untold Story of John Lennon and the Creation of the Beatles.” One would at the very least demand that the characters be recognizable as the geniuses they would become. Unfortunately,  Nowhere Boy, a film allegedly about all of these things, possesses none of them.  Continue reading

The Way Back a groan-worthy tale

A Russian gulag does not make for cozy living.  In the middle of the cold Siberian hellscape, the camp commander reminds the prisoners that the compound isn’t their prison: the environment is.  A handful of prisoners decide to make a break for it, and what starts off as a gritty escape film devolves ludicrousness. Continue reading

Fish Tank: The Best Film of 2010

Try as we might as film critics to present an objective review of a film, one filled with points of evidence and fancy adjectives, ultimately cinema-going remains a subjective experience.  The darkness of a cinema is not the equivalent of a blank canvas; rather, the film ends up in dialogue with that in which we carry into the cinema–life experiences and even our knowledge of other stories.  I mention such subjectivity because I do not have the hubris to believe that any “Best of” proclamations should be universal.  Keeping that subjectivity in mind, I found Fish Tank to be the best film of 2010.

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Howl: Poem, Trial, Documentary

It seems that 2010 was destined to be the year of the fake documentary. The film world was buzzing with questions regarding the validity of the big three, Exit Through the Gift Shop, Catfish, and I’m Still Here, but somehow Howl, which never purports to be as factual as the others, fell by the wayside. This film, about the obscenity trial for Allen Ginsberg’s titular landmark poem, achieves the impossible: it is a documentary of things past.  Continue reading