Tag Archives: Filmmaking

“Monsters” post-screening Q & A (no spoilers)

Director Gareth Edwards is to the right, actors Whitney Able and Skoot McNairy to the left.

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Public Enemies was plagued by cast and crew tensions, technical blunders

For those of us who tried to warn the public that they were being swindled into buying tickets to an unfinished product with last year’s much anticipated Public Enemies (weak sound design, amateur framing, visuals that “looked like a wedding video” as my friend put it), the following offers some (belated) vindication.

A source at the Edinburgh International Film Festival said that technical details plagued the production of Public Enemies, thanks to Michael Mann’s mistreatment of the crew and poor management skills.

Crew members were financially and personally poorly treated and simple technological protocols (correct cables, lenses) were flouted.  The results were disastrous: A production designer quit, Johnny Depp had Mann apologize to the crew for his behavior, and the studio spent “$20-30 million dollars” in post-production trying to save the film.  Depp “hated Mann” for the way he ran the production.

It seems the crew got the last laugh though: The same source said that “thousands of dollars in office supplies” from Public Enemies were stolen and put to use for a film currently at the Edinburgh International Film Festival.  “You could say it’s a Michael Mann financed film.”

I’m a huge fan of Mann’s Heat and Collateral, but was dismayed by the poor production values of Public Enemies.  Though the film came out a year ago, I think it’s important to know the history surrounding a production so as to understand a film’s successes or failures.  There is the possibility that the person I spoke to could be some disgruntled crew member out to tarnish Mann’s image, but this person’s comments seem a reasonable explanation for the unusually bad quality of such a major Hollywood film.

I Am Now an Award Winning Filmmaker

My latest short film, Dawn of the Living, just earned two awards at the Golden Video Awards here in Edinburgh:

Best Actor: Andy Edwards, Dawn of the Living

Best Film: Dawn of the Living

In case you missed it, here’s a trailer for the short, Dawn of the Living

http://www.youtube.com/watch?v=0zUL-vywTAE

I’ve made three short films (4 if you include a small youtube video) and this is the first time I’ve won an award for my filmmaking, so it was quite an honor to receive this award.

Next filmmaking item is to finish editing my documentary for a class (it’s so nice to get a grade for making a film).  Despite the fact that this is my first foray into documentary filmmaking, it should be pretty good.

Burke and Hare Set Photos: Edinburgh, Day 3

In my previous Burke and Hare post I wasn’t able to get photos despite meeting Simon Pegg and Andy Serkis.

Thanks to blog reader Kristen, however, we now have some photos.  She took these of the Burke and Hare shoot by Edinburgh Castle on Friday.  You can see more at her Flickr page, here

On the set of Burke and Hare, the latest from John Landis

Evidently they brought in real fish for this scene.

Where do you rent these things? Or do they have to make them?

PS

If you have film news or read anything of interest related to film, video games, or even books, send me a tip.  Then you’ll be famous like Kristen.

Simon Pegg, Andy Serkis, and John Landis Filming Dark Comedy

John Landis (An American Werewolf in London) is filming part of his latest film, Burke and Hare, in Edinburgh this week.  Andy Serkis (Gollum) and Simon Pegg (Shaun of the Dead) star, with imdb describing the film as:

A black comedy about two 19th century grave robbers who find a lucrative business providing cadavers for an Edinburgh medical school.

Looks like Landis is returning to his roots.  Below are pictures I snapped of the set as they’re getting ready to shoot this evening.

Trucks and lighting equipment.

Rustic carts and hay for that turn of the century look.

Dressing the set to hide the new. They also installed old wooden signs.

This is how you light a set when you can't get a cherry picker lighting kit in: it's a balloon with lights inside.

This is probably the angle they'll shoot the scene from, since there's a restaurant in the opposite direction.

Shooting People: Documentary Power and Ethics

I am currently at the University of Edinburgh earning my Master’s in Film Studies.  For my “Constructing Reality” course (about documentary filmmaking), I am to shoot a minute of “Visual Truth.”  So I go out to a busy street, trying to shoot what I consider the illusions of visual truths.  I believe there are no absolute truths to an image; they always require an outside context.

So I’m trying to get shots of certain people, capturing their normal activities without them noticing my camera (which would undermine the reality I’m trying to reveal).   But to do this, I have to become this sneaky character and this feeling of sneakiness prompts questions of my activity. Continue reading

Darren Aronofsky: In Person

Darren Aronofsky (<em>left</em>) and the Unknown Interview Lady (<em>right</em>).

As was the same with the Sam Mendes talk: I was able to get a last minute ticket for the Darren Aronofsky event that had been sold out. I secured a front seat and the following video footage below. I did not have enough memory on my camera to cover the entire talk, so the rest is dictated word for word from my old school tape recorder (I really need to buy a digital one…).

Worth highlighting are his thoughts on 3D, music from his films cropping up in shitty trailers and sports events, and why some people hate The Fountain towards the end of Part 6. Please leave your thoughts at the bottom.

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