I saw Day of the Dead (1985) for the first time a long time ago and tonight was the first time I’ve watched it since.
In the first 30 minutes, I picked up on three references: Continue reading
I saw Day of the Dead (1985) for the first time a long time ago and tonight was the first time I’ve watched it since.
In the first 30 minutes, I picked up on three references: Continue reading

Teaser poster for Pontypool.
Since George A. Romero’s Night of the Living Dead, all of the great zombie films have provided us an undead lens through which a facet of human civilization is focused upon: Night of the Living Dead and Dawn of the Dead tackled race and conspicuous consumption, respectively; Danny Boyle used our fear of disease to look into the heart of man in 28 Days Later, only to find the “Rage Virus” within all of us. Pontypool continues in this vein as the best zombie* film since Boyle’s resurrection of the genre, utilizing the fear of the unknown to look at the power of language. Continue reading
Posted in Edinburgh International Film Festival, Filmsmith Faves, Reviews
Tagged 28 Days Later, Bruce McDonald, Cinema, Danny Boyle, Dawn of the Living Dead, Disease, Film, George A. Romero, Horror, Language, Movies, Night of the Living Dead, Pontypool, Pontypool Changes Everything, Romero, Stephen McHattie, The Tracey Fragments, Tony Burgess, Virus, Zombies