Next to Metropolis, Fritz Lang’s M is one of his most famous films. The film’s narrative (police and criminals alike searching for a child killer), the noir lighting, its breakthroughs in sound (introduced a mere four years prior), and Peter Lorre’s infamous monologue all cement M as a classic, even nearly a century after its release. Meanwhile, Quentin Tarantino’s Inglourious Basterds is unjustly infamous for its manipulation of history. What I find most fascinating about the two films is how they treat their respective monsters (child killers and Nazis) and how their stories reflect attitudes toward societal ills.
The Filmsmith- Antlers Holds Up a Monster Mirror to America’s Ailments
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- George Romero: More to Him Than Zombies
- The Florida Project: True Movie Magic
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- mother! is the Allegorical, Social Commentary Horror Film 2017 Deserves
- Fire, Flashbangs, Filmmaking: Inauguration 2017
- Star Wars: The Force Fights Nerds
- The Dark Knight Rises: The one where Nolan disappoints
- The Amazing Spider-Man lives up to its name
