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Stake Land the great American vampire tale

It’s not often that a genre film doesn’t realize that it’s a genre film.  A comedy plays within the conventions of its niche and most horror films do the same.  Daybreakers is one of the best vampire films since the 1980′s unleashed Fright Night and The Lost Boys because, like its forerunners, it knows how to play to the genre trappings as intelligent entertainment.  That’s usually the best horror fans can expect from the genre. But films like The Blair Witch Project, Let the Right One In or Stake Land treat a horror tale like a drama and not a creature feature – which makes it all the more frightening. Continue reading