Let the Right One In was the recent horror phenomenon usually known as “the Swedish vampire flick.” A combination of excellent actors, in-depth character development, and mature execution made it a top notch vampire film that blew other blood-sucker tales out of the water. Hence, when Hollywood announced that a re-make was in the works, the original film’s fan base made their consternation known. Even I went in with the most cynical of sentiments (“Did they just make it into an English language film for those too illiterate to struggle with subtitles?”). Surprisingly, I left the cinema sunk deep in stunned reflection. Continue reading
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Vampire Rumble: Let the Right One In vs Let Me In
Note: to avoid redundancies, let me clarify that Oskar and Eli are the boy and girl from Let the Right One In and Owen and Abby are the boy and girl from Let Me In. Also, this post contains major spoilers for both films.
My wife pointed out that there is a difference between re-making a story and re-telling a story, as we’re always re-telling similar tales with different window dressings. Michael Haneke’s Funny Games is a clear example of a re-make: it was first made in 1997 (Austria) and re-made, shot-for-shot, by Haneke in 2007 (U.S.). Alternatively, something like John Carpenter’s The Thing is a re-telling of The Thing From Another World, which itself was based on the short story Who Goes There? by John W. Campbell. Let Me In is an example of the latter re-telling, not a mere re-make. Continue reading →
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Posted in Articles, Filmmaking, News
Tagged bully, eddie izzard, funny games, Horror, let me in, Let the Right One In, Matt Reeves, Sweden, The Thing, the thing from another world, U.S., Vampire, who goes there